Teaching pronounciation

Teaching Pronunciation Pronunciation involves far more than individual sounds. Word stress, blame stress, transition, and word linking all catch the sound of spoken incline, not to mention the way we often slur words and phrases together in casual speech. What ar you going to do? becomes Whaddaya gonna do? English pronunciation involves too many complexities for learners to strive for a complete elimination of accent, just improving pronunciation will boost self esteem, urge on communication, and possibly lead to a better Job or a least more respect in the workplace.Effective communication is of greatest importance, so make out starting time to work on problems that signifi drive outtly hinder communication and let the rest go. Remember that your students also need to learn strategies for dealing with misunderstandings, since native pronunciation is for most an unrealistic goal. A students first language often interferes with English pronunciation. For example, p/ is aspir ated in English but not in Spanish, so when a Spanish speaker pronounces pig without a puff of air on the / p, an American may hear big instead.Sometimes the students will be able to dentify specific problem sounds and sometimes they wont. You can ask them for suggestions, but you will also need to observe them over time and make note of problem sounds. Another challenge resulting from differences in the first language is the inability to hear certain English sounds that the native language does not contain. Often these be vowels, as in ship and sheep, which many learners cannot distinguish. The Japanese are known for confusing r/ and Ill, as their language contains neither of these but instead has one sound somewhere between the two.For problems such as these, listening is of the essence(p) because students cant produce a sound they cant hear. Descriptions of the sound and talk position can second students increase their awareness of subtle sound differences. Here are some idea s for focusing on specific pronunciation features. Voicing Voiced sounds will make the throat vibrate. For example, g/ is a piano sound composition / k/ is not, even though the mouth is in the same position for both sounds. Have your students touch their throats while pronouncing voiced and voiceless sounds. They hould feel vibration with the voiced sounds only.Aspiration Aspiration refers to a puff of air when a sound is produced. Many languages have far fewer aspirated sounds than English, and students may have trouble hearing the aspiration. The English /p/, m, /k/, and /ch/ are some of the more commonly aspirated sounds. Although these are not always aspirated, at the beginning of a word they usually are. To enlarge aspiration, have your students hold up a piece of facial tissue a few inches away from their mouths and push it with a puff of air while ronouncing a word containing the target sound.Mouth Position Draw simple diagrams of tongue and lip positions. Make sure all st udents can clearly see your mouth while you model sounds. Have students use a mirror to see their mouth, lips, and tongue while they imitate you. Intonation Word or sentence intonation can be mimicked with a kazoo, or alternatively by humming. This will take the students attention off of the meaning of a word or sentence and help them tocus on the intonation. Linking We pronounce phrases and even whole sentences as one smooth sound instead of a eries of separate words. Will Amy go away, is rendered Willaymeegowaway. To help learners link words, try starting at the end of a sentence and have them repeat a phrase, adding more of the sentence as they can overlord it. For example, gowaway, then aymeegowaway, and finally Willaymeegowaway without any pauses between words. Vowel Length You can demonstrate varying vowel lengths within a word by stretchability rubber bands on the longer vowels and letting them contract on shorter ones. Then let the students try it. For example, the word fi fteen would have the rubber band stretched or the lee vowel, but the word fifty would not have the band stretched because both of its vowels are spoken quickly.Syllables Have students count syllables in a word and hold up the oppose number of fingers, or place objects on table to represent each syllable. Illustrate syllable stress by clapping softly and loudly corresponding to the syllables of a word. For example, the word beautiful would be loud-soft-soft. Practice with short lists of words with the same syllabic stress pattern (beautiful, telephone, Florida) and then see if your learners an list other words with that pattern.